Sunday, July 31, 2016

Engagement Photography Tips

Every couple is unique. Unfortunately, that doesn’t always translate to them being skilled at naturally interacting between themselves and relaxed posing during the engagement session.

If you regularly shoot engagement sessions you likely look forward to sessions with attractive couples that pose so naturally you wonder if they work as models in their spare time.

engagement photography tips

“@fairyland” captured by PictureSocial member Willy Yohanes

But then reality sets in. As you gently guide and pose your next couple they willingly and cooperatively follow every instruction and direction — but end up looking unbelievably uncomfortable and tremendously tense!

What is the Key?

Unfortunately, there is no magic bullet! I all it took was a squeaky toy everyone would already be using it. There is not a “one size fits all” pose that every couple will perfectly fall into position with.

However, there are some tips you can keep in mind as you approach your next engagement session.

Professional Thoughts

Engagement photos from a professional can be very expensive. Many of the top pros charge a session fee in addition to very expensive reprint rates (I’ve seen some photographers that charge $ 50 or more for an 8×10).

I don’t blame the photographers: most of them are good enough to charge such rates. And I know, from having shot engagement sessions before that the sessions can take quite a bit of time. For me, an average session would take about 6 hours of total time (initial contacts/communications with the couple, driving to the photo site, taking the photos, downloading/processing the raw images, and then processing the couple’s order).

engagement photo

“Relax Mood” captured by PictureSocial member Alexei Demin

A money-saving tip: some professionals offer the engagement photos as a part of their wedding package. If your wedding photographer offers such a service – take advantage of it! Even if you don’t order a lot of reprints it will give you and your fiancée an excellent opportunity to see how well you interact with your photographer.

If you can’t afford (or don’t want to spend the money on) a professional photographer: don’t throw out the idea of engagement photos!!

Friend Alternatives

Find a friend that owns a DSLR and a zoom lens. The DSLR cameras are the digital cameras with interchangeable lenses. Such camera prices are falling (often one can be purchased for about $ 700) and their popularity is increasing.

See if your friend has a good zoom lens. Such a zoom lens will often go from 100mm out to about 200mm or even 300mm. If your friend doesn’t have such a lens perhaps they could be talked into buying one. I’ve seen a consumer-version Nikon (and Canon) 75mm-300mm zoom lens for about $ 100!

While you probably won’t get photos that are good as professional, you can get very nice photos from such a setup. And I’m going to give you two huge bits of advice that will make a world of difference in those results.

Tip #1 – The Zoom

If you want a nice, blurred, background in your engagement photos, you’ll need to have them taken with a zoom lens. Using a 200mm zoom lens will beautifully blur out the background behind you. And don’t stand too close to your background: I’d recommend being at least 15-20 feet away from any background. If your friend knows what the camera’s aperture is (the f-stop), have them set it to be as wide open as possible (the lowest Aperture number available – perhaps F4.5 or even F2.8).

how to take engagement photos

“Sunset Love” captured by PictureSocial member Alyona Arnautova

Tip #2 – Evening Shade

Don’t go out on a bright sunny day at noon and expect to get beautiful photos! While you may stumble upon some good photos, it is actually harder to take nice images in the bright sun due to the harsh lighting, dark shadows, and squinty eyes.

I recommend you take your engagement photos on a sunny day – but start the photo session about an hour before sunset. Try to find a park that has beautiful green grass and trees. I generally try to find areas that have a large amount of shade. At that time of the evening a hill will often provide a large area of gently-lit shade.

You will be amazed at the quality of light that is available at such a time!

To be honest, as a working professional who has shot a number of engagements, the vast majority of my images are taken in that exact lighting with ZERO modifications (no reflectors, strobes, etc.).

Are You Serious?

If you are — don’t be! When you go out to have your engagement photos taken by a friend, you need to have a good time. Focus solely on your fiancé and your love for them. Enjoy spending time with them! Too many people focus on the camera and get nervous and uptight: and it shows in the photos.

Hopefully your fiancé is the only person in the world that can help you forget about everything else – which would include the camera…

wedding engagement

“love story” captured by PictureSocial member b-bee

Do Your Homework

Planning for an engagement session will usually improve the quality of the results. Here are a few steps I would suggest you take as you begin planning:

Run Google searches for “engagement photography” and “engagement photos.” Look for images that you think you and fiancé could imitate. Print off about 20 of your favorite images. Go over them with your fiancé and narrow the list down to the ones that both of you really like and think will be possible. Then, show those to your friend who will be taking your pictures. Whittle the samples down even further based upon their thoughts and feedback. Try to end up with 5 or 10 sample images that everyone is excited about.

Look closely at those sample photos to see what types of location are being used and what the lighting looks like. A lot of engagement photos are taken in either a park or city location. I would suggest driving around and scouting possible photo locations for the session. But don’t just do a “drive-by scouting”! Get out of your car with your camera and take actual photos inside each park of the locations you think would work best. Compare your snapshots with the sample photos you printed off.

You can also do internet research by looking at the web sites of local wedding photographers. While your previous search for engagement photography would have returned nation-wide results, the goal of this research is to see where the local wedding pros are shooting their engagement sessions. You’ll likely recognize some of the parks and buildings that they are working in and near.

Lots of Photos

Hopefully your friend will be using a digital camera. That way they can take lots of images without worry about film expense. Sometimes the difference between an average photo and a great photo is simply changing the angle and perspective of the camera!

engagement pictures

“Come Fly With Me” captured by PictureSocial member erica lyn

This point was really driven home to me with some recent engagement photo sessions I have done. I am in the process of creating an eBook to help couples take top-notch engagement photos. I had another photographer help me out with several engagement sessions. Together, we shot about 600 photos during each two-hour engagement session. During the session, I would often setup and take photos of the couple. While I was doing so my assistant would be moving around and photographing the same scene at different angles. Afterwards, I would look at the photos I took and also some of the side-angles my assistant shot at those same times–and there is often a night and day difference between the two. The couple didn’t move or change their pose; the only difference was the angle at which the image was taken!

So, once you have found a good location for your photo session and you and your fiancé are in position — let your photographer snap away! Don’t limit the shots they’re taking!

Have the Proper Mindset

This seems basic, but the realization that some couples will be easier to work with and some harder is a good first step. Models are usually paid for their time and services. Since you aren’t paying the couple for their time: don’t expect too much of them! Just be grateful for the “natural posers” when they show up!

First Impressions DO Count

When you greet the couple, do it with a friendly smile and by warmly shaking each of their hands. Be genuinely happy to see them. If you demonstrate nervousness or awkwardness as you get to know the couple, they will immediately pick up on it — even if it is subconsciously — and it will increase THEIR nervousness during the photo shoot.

Social Skills 101

Forgive me if this is too basic. Chances are you already do this. But, just in case, I feel a need to make sure the base is covered: make sure you carry on a pleasant conversation with the couple from the very beginning throughout the whole photo session. Their tension will increase if the only time you talk to them is to give them terse instructions “Move slightly to the side – now tilt your heads together – more – more – no – too far!” Most couples love to talk, and their favorite subject will likely be themselves.

You shouldn’t have to pretend to be interested in them! I really enjoy finding out details about the couples I photograph. Details such as: how they met, when the proposal took place, when the wedding is scheduled, how the wedding plans are coming along, etc. etc.

Warm Ups

Plan the first part of your photo session with the idea of relaxing the couple. Don’t try for your best shots during the first 15 or 20 minutes. If the only thing you achieve during that time is to completely put the couple at ease with you, the camera, and each other (the last one should be easy) — you will get much better photos during the remainder (majority) of your session.

During that first segment I would recommend using easy, basic, simple poses. Keep talking and interacting with them. Let them know it is OK to forget about the camera. Try not to give them too many specific directions and instructions. Encourage them to be themselves – even if the resulting photos aren’t that great! Once they are at ease you can gently give more instructions. The first goal has to be putting them at ease!

Unexpected Photos

This method doesn’t work with every couple because it totally depends upon how naturally they interact with each other when they aren’t expecting you to be taking their pictures. Some couples will chat while aimlessly starring off into the distances – others will have an animated and happy conversation while looking into each other’s eyes and occasionally laughing (those are the moments you’re trying to capture!).

unexpected engagement photo

Photo captured by PictureSocial member Elena Kuznetsova

The goal: Taking a few photos when the couple is relaxed and not expecting you to be taking their picture.

The method: For me, the best timing is usually when I need to change memory cards. I’ll let the couple know that I need to change cards and they can relax for a few minutes. I then rummage around in my bag for the new card, all the while watching them out of the corner of my eye.

The challenge: Taking the photos without standing at the camera and pressing the button. Sometimes a wireless shutter release can be used. Other times I’ll have an assistant with me and will have them take a few of these shots while I’m rummaging in the camera bag. Occasionally the couple so completely forgets about the camera and me that I can actually go back to the camera and hit the shutter release without them noticing!

Hopefully, these tips, combined with your personality and experience, will help you put couples at ease (while still giving you the freedom to offer natural posing suggestions) so you get take some incredible engagement photos!

DON’T Lose Images

If you are not careful with your digital work-flow you can easily end up losing images. This is NOT an option for a professional photographer. The good news with engagement sessions is that if you happened to (somehow) lose a number of the images from an engagement session — you can (likely) redo the session! Weddings, on the other hand, are practically impossible to redo.

If you should happen to encounter data corruption while photographing the couple, or while downloading the images — do not panic! If it occurs in-camera, take the card out and move on to another card. I have had this happen several times over the years and have only lost the 1 corrupt image and however many images were in the buffer at the time I had to switch to a new memory card.

The more common corruption has occurred when I am downloading the images to my computer. There are a number of software tools you can run on the memory card to restore the images. I don’t have room in this article to write in-depth about recovering lose/corrupted/deleted images, but I would recommend you purchase “Photo Rescue” version 3 (a Google search will find the software). I held off on buying the software until I had a need, and when I had a need (an entire memory card from a family photo session that had become corrupted during the download process), the $ 29 price was well worth it! Since buying the software I have used it a number of times to recover deleted or corrupted files from a memory card.

photojournalistic engagement photography

“Engagement” captured by PictureSocial member Samantha Foster

Safeguard the Images

The first thing I do when I get back from a photo session is download all of the images to my computer.

I then do some basic checking to make sure there are no images missing from the session. I will check the file number of the first image and last image from the session — subtracting the two to find out how many images were shot. Then I will check the actual files on my computer to make sure it matches.

Such a double-check would catch any images missing from the middle of the session, but you’ll notice it wouldn’t detect images that were missing from the very beginning or end of a session.

That is why I will also sort the images by “date” or even file number and scroll through the time stamps to make sure all of the time that I was shooting images resulted in actual files.

Once the “checking” process is done I will burn all of the images to DVD. Actually, I create two copies of the files on DVD’s. One DVD is stored on-site and the other DVD is stored at an off-site location. I also have an Excel file that functions like a database: I enter basic information about the photo session into Excel and assign a number to the DVD so it can found (easily) later on.

Removing “Secondary Photos”

After ensuring the raw image are safely backed up I will start into my post-production process. The first step involves removing bad photos. I used to call them rejects. Now I simply call them “Secondaries”.

I create a folder called “Secondaries” and I move any photos that have problems to that folder. Any images that are embarrassing to the couple (catching an odd look, or a blink, etc.) or have mistakes that I made (motion blur, out-of-focus, blown highlights, bad compositions, etc.) end up in the “Secondary” folder.

I want to keep as many photos for the couple as possible, so I try not to eliminate too many shots. Although, I remember one engagement session where I took more than 1,300 photos. For that session I very freely moved images “Secondary” folder!

tips for engagement photography

Photo captured by PictureSocial member Tatiana Garanina

If the photo session resulted in a smaller selection of images or if the “pose” in question only had a few shots, I’ll try to leave as many from that session or “pose” as possible.

The Renumbering Decision

Let’s say your photo session started with 250 images. 50 of them moved to the “secondary” folder. You’re left with 200 photos. There are gaps in your photographic file numbers.

Some couples will not notice or care about the gaps. Your photo numbers are probably not going to be 001-250 (with 50 missing). They are more likely going to something like 6918- 7168 — and the missing numbers will not very obvious. But it still would be possible for a discerning couple to run the math and figure out that 50 images are missing — or to notice, as they click through the images, that the numbers occasionally “skip”.

You will need to decide whether it is worth the time to renumber your “select” images. I use the freeware RName-It version 3.1 (a Google search will find the software) to renumber my images, but most Image Editing software can also handle the renumbering of images.

I normally do not renumber the images. I don’t think I have ever had a couple ask me for missing images. If they were to do so, I would explain the types of images I remove, and if they were really interested in seeing them I would likely send them over. I have found that if you provide a large amount of top-notch photos, couples don’t seem to worry about the 5%-10% that are not included.

There’s a lot more to my after-photo-session work-flow, but I’ll have to cover that in another article!

About the Author:
Christopher Maxwell is a professional photographer based near Kansas City. He has created a number of practical resources to help beginning photographers Learn Engagement Photography, as well as providing information about Learning Wedding Photography.

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Saturday, July 30, 2016

Nikon 105mm f/1.4E ED Announcement

Nikon has been on the roll in the past few years, releasing one amazing lens after another. We have seen a refresh of the f/1.8 prime lens line with some amazing optics, but those craving for more have been patiently waiting for a modern replacement of such lenses as the Nikon 105mm f/2 DC and Nikon 135mm f/2 DC, absolutely amazing and beautiful lenses in every way, capable of rendering stunning bokeh for portraiture. Well, the waiting for the first lens replacement is finally over, because today Nikon gave us something truly groundbreaking – the Nikon AF-S NIKKOR 105mm f/1.4E ED. While the de-focus control feature on the previous 105mm f/2 lens allowed one to modify the bokeh rendering of the lens, it would end up changing the field of view and it was a bit hard to get used to utilizing that feature effectively for many photographers. Plus, the maximum aperture of f/2 put it in competition with the superb Nikon 85mm f/1.4G (review soon to be updated), as the latter is a faster lens and has superb rendering capabilities wide open. For these and other reasons, many photographers having been choosing the 85mm f/1.4G over the 105mm f/2 DC for portraiture, while the 135mm f/2 DC remained untouched. Now that the 105mm f/1.4E is out, let’s talk about what is so amazing about this gem and why we can mark today as an important milestone in the history of lens making.

Nikon 105mm f/1.4E ED

First of all, the Nikon 105mm f/1.4E ED is world’s first 105mm lens with such a wide aperture of f/1.4. We have seen a number of f/1.4 telephoto lenses, but typically very few above 100mm focal length. It is technically challenging to optically design f/1.4 telephoto lenses without making lenses outrageously big and expensive. And yet Nikon engineers somehow found a way to make it happen – at 94.5mm x 106mm size and 985 grams of total weight, it is surely quite a bit heavier and a bit bulkier than the 105mm DC, but not by an unacceptable and impractical margin. It will be perfectly hand-holdable to take those yummy portraits! From the technical standpoint, this lens is beefed up with all the latest and greatest Nikon has to offer. Finally, we are now getting Nikon to make lenses with electronic diaphragms – the “E” letter designation after f/1.4 means that the lens will no longer use the mechanical lever on the back of the lens to set the lens aperture, but instead will be driven by the internal aperture adjustment mechanism. This is great news, because it means that you can expect the lens to yield consistent brightness when taking pictures stopped down, as there won’t be any room for error, even when shooting in fast continuous bursts. Like all other modern Nikkor lenses, the 105mm f/1.4E ED comes with Nano Crystal Coating to reduce ghosting and flare and yield those beautiful colors. The front lens is protected with fluorine coating to resist dust and water particles, making the lens easy to clean.

The Nikon 105mm f/1.4E ED has a total of 3 Extra-low Dispersion (ED) lens elements to correct lens aberrations, which means that the lens should be very sharp at all apertures, even wide open. Take a look at the below MTF chart of the 105mm f/1.4E (left), compared to the MTF chart of the 105mm f/2 DC (right):

Nikon AF-S NIKKOR 105mm f/1.4E ED MTF Chart AF DC-NIKKOR 105mm f2D MTF Curve

Keep in mind that the MTF charts for the two lenses are for their wide open performance, so you are looking at the 105mm f/1.4E ED at f/1.4, versus 105mm f/2 DC at f/2. If you had a chance to read our article on reading MTF charts, you can probably tell how impressive the MTF chart on the 105mm f/1.4E ED looks. The lens has superb contrast – even better than on the 105mm f/2 DC, with superb center to mid-frame performance and slightly weaker performance towards the edges of the frame. Sharpness-wise, it has amazing resolving power wide open and only slightly worse performance in the extreme edges of the frame, which are not important for a portrait lens anyway.

What about comparing the 105mm f/1.4E optically to the legendary 85mm f/1.4G? Let’s take a look (Left: 105mm f/1.4E, Right: 85mm f/1.4G):

Nikon AF-S NIKKOR 105mm f/1.4E ED MTF Chart AF-S NIKKOR 85mm f/1.4G MTF chart

Personally, I have never met a person who was displeased with the sharpness of the Nikon 85mm f/1.4G, as it shines at every aperture. Even if it is a tiny bit softer wide open, the sharpness does not really matter, as the creamy bokeh it yields makes up for the difference. Still, you can see that the new 105mm f/1.4G will be better than the 85mm f/1.4G both in terms of contrast and sharpness, which is not something I expected to see. And considering how relatively close and similar in shape the straight and dotted lines are (sagittal vs meridional), we can expect absolutely amazing bokeh!

Speaking of bokeh, take a look at the below sample images provided by Nikon:

Nikon 105mm f/1.4E ED Lens Image Sample (1)

Nikon 105mm f/1.4E ED Lens Image Sample (2) Nikon 105mm f/1.4E ED Lens Image Sample (3) Nikon 105mm f/1.4E ED Lens Image Sample (4)

As you can see, the lens will be a visual stunner in every way. An instant classic, a dream of a lens. Despite its high price tag of $ 2199, I have already placed a pre-order for it, as it will be worth the investment. I sold off many of my Nikkor lenses that I have not been using, but the two lenses I will never sell are the 85mm f/1.4G and 85mm f/1.8G, as both are the workhorse lenses for both myself and my wife. John and I have been using these lenses for filming our video tutorials as well and they never disappoint – whether we film in low-light indoor or outdoor conditions. After I sold my 70-200mm f/2.8G VR II (it was way too heavy for me), which I absolutely loved for its amazing sharpness and versatility, I have been missing the longer focal lengths and the ability to further isolate subjects from the background.

The only downside is lack of image stabilization / VR. Considering that VR takes a bit more space within the lens and can potentially affect bokeh, I can see why Nikon decided to exclude it from the lens. However, it would have been nice to have a stabilized 105mm f/1.4! I still hope that Nikon will someday announce in-body image stabilization (IBIS) in its DSLRs…

Pre-Order Options

Despite its high cost, this lens will be in demand as soon as it becomes available. I know that most of my pro peers will be pre-ordering this lens, so I expect to see some wait time while Nikon tries to fulfill all the pre-orders. If you want yours as soon as possible, I would place a pre-order now. Better yet, if you are an NPS member, make sure to notify NPS as soon as you place your pre-order. Nikon has already sent out emails to NPS members, where they detail the process. First, you need to place a pre-order (hopefully using the below links to support us), then you submit the request to NPS via the link provided in the email. You can also sign in to NikonPro.com and submit the request from there.

Here are the pre-order options for our affiliate partners, B&H Photo Video, Adorama and Amazon:

  1. Pre-Order Nikon 105mm f/1.4E ED via B&H Photo Video for $ 2.199.95
  2. Pre-Order Nikon 105mm f/1.4E ED via Adorama for $ 2.199.95
  3. Pre-Order Nikon 105mm f/1.4E ED via Amazon for $ 2,199.95

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Pushing the Use of Zoom Lenses on the DJI Inspire

Pushing the Use of Zoom Lenses on the DJI Inspire

As I continue to dwell about upgrading my drone and having more creative freedom and quality with the Zenmuse X5 and choice of lenses, I am stuck thinking about all the content that I could be out creating with these amazing tools.

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Fstoppers

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Friday, July 29, 2016

Dazzling images from the Astronomy Photographer of the Year 2016 shortlist

Astronomy Photographer of the Year 2016 shortlist

Flash Point © Brad Goldpaint (USA)

The Perseid Meteor Shower shoots across the sky in the early hours of August 13, 2015, appearing to cascade from Mount Shasta in California, USA. The composite image features roughly 65 meteors captured by the photographer between 12:30am and 4:30am.

The Royal Museums Greenwich has announced the shortlist for its eighth annual Insight Astronomy Photographer of the Year competition. More than 4500 entries were received from over 80 countries; winners will be announced on September 15, with winning images going into a free exhibition at the Royal Observatory. One overall winner will walk away with £10,000, and runners-up will take home £500 each. 

Here are just a handful of the more than 130 images that made the shortlist – head to the Royal Museums Greenwich site to learn more about the competition.

Astronomy Photographer of the Year 2016 shortlist

Seven Magic Points © Rune Engebø (Norway)

The rusty red swirls of the circular, iron sculpture Seven Magic Points in Brattebergan, Norway mirror the rippling aurora above.

Astronomy Photographer of the Year 2016 shortlist

Frozen Giant © Nicholas Roemmelt (Germany)

The celestial curve of the Milky Way joins with the light of a stargazer’s headlamp to form a monumental arch over the Cimon della Pella in the heart of the Dolomites mountain range in northeastern Italy.

Astronomy Photographer of the Year 2016 shortlist

M8: Lagoon Nebula © Ivan Eder (Hungary)

New stars are formed in the undulating clouds of M8, also commonly referred to as the Lagoon Nebula, situated some 5,000 light years from our planet.

Astronomy Photographer of the Year 2016 shortlist

Parallel Mountains © Sean Goebel (USA)

The shadow of Manua Kea, the highest peak in the state of Hawaii, is projected by the rising sun over the volcano, Hualalai, whilst the Full Moon soars above them, higher again.

Astronomy Photographer of the Year 2016 shortlist

Northern Lights over Jokulsarlon, Iceland © Giles Rocholl (UK)

A couple takes in the awe-inspiring sight of the Northern Lights streaking across the night sky over the lagoon at Jokulsarlon, Iceland on Valentine’s night of 2016.

Astronomy Photographer of the Year 2016 shortlist

Just Missed the Bullseye © Scott Carnie-Bronca (Australia)

The International Space Station (ISS) appears to pierce a path across the radiant, concentric star trails seemingly spinning over the silhouettes of the trees in Harrogate, South Australia.

Astronomy Photographer of the Year 2016 shortlist

Painted Hills © Nicholas Roemmelt (Germany)

With very little light pollution, the glimmering stars of the Milky Way bathe the colourful layers of the Painted Hills of Oregon in a natural glow.

Astronomy Photographer of the Year 2016 shortlist

Antarctic Space Station © Richard Inman (UK)

A view of the Halley 6 Research Station situated on the Brunt Ice Shelf, Antarctica, which is believed to be the closest thing you can get to living in space without leaving Earth, making it perfect to be used for research by the European Space Agency. As the Sun’s light dissipates into the horizon, the aurora can be seen swirling overhead.

Articles: Digital Photography Review (dpreview.com)

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13 Habits of Highly Effective Photographers

Effective photographers…

  1. Don’t expect their camera to do all the work. This means saying goodbye to ‘Auto’ and bravely using other modes such as Aperture Priority or Manual.
  2. Read the camera manual—several times—to get familiar with their gear.
  3. Gradually work through various functions and features on their camera.
  4. Take control of their camera, and the lighting conditions they are faced with.
  5. Understand that pressing the shutter is only half of making a good photograph. Modern cameras are no match for the human eye, and still have lots of limitations, especially in low light situations. Post-processing has been done since the invention of photography (either in a traditional darkroom or on a computer). This is where you polish your final images, and make adjustments to compensate for the constraints of the camera.
editing in lightroom

photo by betancourt

  1. Select and present only the very best images from a photo shoot.
  2. Store a back-up copy of their images onto an external hard drive, or somewhere safe.
  3. Publish photographs, so they aren’t destined to die on a dusty hard drive, unseen by the world.
  4. Share their work to get constructive feedback from peers (via online galleries such as 500px, Flickr, Google Photos, Instagram or a Facebook group).
  5. Present their images as a means of self-expression—their contribution to recording the world, from their point of view (e.g. framed photos, greeting cards, calendars, art galleries, photo books, or merely as prints inside a simple photo album).
  6.  Get inspiration from other photographers they admire. Read eBooks, magazines, blog posts, look at Facebook posts, or view YouTube videos. Visit galleries, take workshops or go on a photography tour to learn from a more experienced shooter.
photo exhibit

photo by Elvert Barnes

  1. Travel in search of fresh subject matter; this could be interesting locations or photogenic people. On a micro level, they use their feet to find fresh angles and perspectives – they ‘work the scene’, and don’t just settle on the first composition they see. On a macro level, they visit exotic or remote locations away from home, opening their eyes to new possibilities.
  2. Avoid shooting clichés, looking for a new take on well-photographed subjects.
hdr puddle reflection

photo by b k

In summary, you can be a more effective photographer by educating yourself, embracing challenges, and becoming proactive.

Thomas Edison once said that “genius is one percent inspiration, and 99 percent perspiration.” The one thing that will greatly improve your photography is practice… lots of practice. Go for it!

About the Author:
Written by Ray Salisbury. This article is part of a 28-page eBook (Jumpstart Your Photography), designed to educate & inspire beginning photographers.

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Wednesday, July 27, 2016

Postcard From Eastern Europe

Well, it was a pretty long drive back but my friend and I made excellent time. From Eastern Slovakia (where most of these shots are from) through the Czech Republic (where my friend is from), Germany, Holland, Belgium, France and then finally back home in the UK, we made it back home in just over 15 hours. And when you’re speeding along endless miles of motorways that all look the same there isn’t much opportunity to shoot anything.

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But we weren’t there for that. In between the wine tasting and beer drinking and cigar smoking and flirting and… everything thereafter, there wasn’t much time or inclination to take photos of one’s surroundings, stunning as they were. A reminder that one should and can actually enjoy a vacation without having a photographic imaging device permanently strapped to one’s hands and face.

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Having said that Eastern Europe, particularly around Stara Lubovna in Eastern Slovakia, was irresistibly beautiful, with the High Tatras Mountains accompanying us alongside in the near distance. I couldn’t help but overcome my fatigue and my reluctance and take a few shots.

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I’m sure many people will insist that landscapes must be shot during the ‘golden hour’ light around sunrise or sunset, but I’m also sure those same people probably never actually go out and shoot anything. A beautiful landscape is beautiful in any light and it must surely be up to the photographer to creatively present it as such. I’m not claiming to have succeeded here, of course, but one is obliged to try and extract a scene’s potential.

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As well as some spectacular geography Eastern Europe has no end of old fortresses and castles dotted around its undulating terrain. Stara Lubovna Castle below was literally the view from another friend’s bedroom window. In fact it was neatly framed by her window, which made the composition easy for me, but I decided not to include that frame in the shot.

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Stara Lubovna Castle.

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9

Keeping to our return schedule meant taking opportunistic shots from the car between bouts of laughing or sleeping, no simple feat with entire families of insects splattered over the windshield only to be cleaned off by random downpours of torrential rain under a frightening lightning storm. Plus I had to get my lethargic feet of the dash. Shooting from the passenger seat is something I had done before sitting next to either Nasim or John Bosley in Colorado so I didn’t have any aversion to it. The road gives you a convenient leading line into the distance making composition easy.

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13

Somewhere in Germany. I had just woken up.

But still, I hope these few snapshots will at least hint at the tip of Eastern Europe’s mountains of beauty and perhaps encourage others to go out there to visit, and unlike ourselves, with the intention of capturing its spectacle. Stara Lubovna in particular is worth stopping at to marvel at the High Tatras Mountains.

8a

Six image panorama of the High Tatras Mountains, quickly stitched in Photoshop.

These were all shot with either the Olympus 12-40mm f/2.8 or 60mm f/2.8 (a macro lens no less) mounted on my aging but seasoned E-M5. Shot in Aperture priority around f/4 or f/5 (depth of field is greater at any given aperture on M4/3), ISO 200 and varying shutter speeds selected by the camera. The images were processed in Lightroom to my personal taste and in my postcard style. I realise many of you will dislike that style but of course you are free to present your own.

Speeding Home!

It has been a pleasure to contribute to Photography Life and as always I wish everyone the very best in all your photographic endeavours.

“And so the adventure continues….

Warm Regards,
Sharif.

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